thefader:

STREAM KENDRICK LAMAR’S LOUD AND BRIGHT NEW SINGLE, “I”
"Black women are more than props and more than interchangeable stock images employed to convey a sassy reaction to a white star’s plotline. We experience love, grief, anger, frustration and joy just like everyone else. Except that, when expressing those emotions, black women are policed, caricatured, judged and dismissed.

We aren’t allowed to be situationally angry at the appropriate moments and have other emotions at other times: we are instead tasked with embodying a singular emotion (like anger) to the point of caricature. Humanity is a luxury routinely denied to black women both within media and outside it."

The myth of the Angry Black Woman is a scandal of white supremacy (via ethiopienne)

(via selamx)

lilfagbitch:

Me vs. You

(via ethiopienne)

phlemuns:

mister-abstract:

superheroinx0:

When dancing wasn’t grinding all the time yet lol.

Golden


Fuck that I still get down like this.

This is why I like: 1. going out with what erykah badu calls “my artsy friends (ooh we ooh we ooh)”And 2. Dancing in other countries Step 1: form the homie circle Step 2: JAMMMMM!

phlemuns:

mister-abstract:

superheroinx0:

When dancing wasn’t grinding all the time yet lol.

Golden

Fuck that I still get down like this.

This is why I like:

1. going out with what erykah badu calls “my artsy friends (ooh we ooh we ooh)”

And

2. Dancing in other countries


Step 1: form the homie circle
Step 2: JAMMMMM!

(Source: sbrown82)

"To borrow a metaphor from the fossil-fuel age, our job is to inject pressure into the system. Marches aren’t subtle; they don’t lay out detailed manifestos. Movements work by making the status quo impossibly uncomfortable—by deploying people, arguments, metaphors, and images until our leaders have no choice but to change and, in so doing, release some of that pressure."

Bill McKibben, one of the lead organizers of the People’s Climate March, reflects on Sunday’s turnout. (via newyorker)

(Source: newyorker.com, via newyorker)

stormtrooperfashion:

Jasmine Tookes in “At Ease” by David Bellemere for ELLE, October 2014

stormtrooperfashion:

Jasmine Tookes in “At Ease” by David Bellemere for ELLE, October 2014

(via phlemuns)

ufocottoncandy:


“Normal is getting dressed in clothes that you buy for work and driving through traffic in a car that you are still paying for - in order to get to the job you need to pay for the clothes and the car, and the house you leave vacant all day so you can afford to live in it.”
 ― Ellen Goodman

ufocottoncandy:

“Normal is getting dressed in clothes that you buy for work and driving through traffic in a car that you are still paying for - in order to get to the job you need to pay for the clothes and the car, and the house you leave vacant all day so you can afford to live in it.”


Ellen Goodman

(via phlemuns)

phlemuns:

Slowly realizing everyone I follow is younger than me & I’m the creepy old guy on tumblr.

Ahahaha stfu James you’re not old enough to be anyone’s old guy.

deathisastar:

Orfeu Negro (Black Orpheus) - Marcel Camus (1959)


This is the poster?!

deathisastar:

Orfeu Negro (Black Orpheus) - Marcel Camus (1959)

This is the poster?!

(via phlemuns)

ethiopienne:

trillspector:

You’re Making Me High by Toni Braxton

this music video is legendary

I REMEMBER this

oliviatheelf:

This actually kind of scared me when I first saw it and it sank in.

oliviatheelf:

This actually kind of scared me when I first saw it and it sank in.

(via rustylazer)

  • me: i don't even care. i'm not going to talk about this anymore.
  • ...
  • me: and you know what else? [2000 word rant]
"If Latin America had not been pillaged by the U.S. capital since its independence, millions of desperate workers would not now be coming here in such numbers to reclaim a share of that wealth; and if the United States is today the world’s richest nation, it is in part because of the sweat and blood of the copper workers of Chile, the tin miners of Bolivia, the fruit pickers of Guatemala and Honduras, the cane cutters of Cuba, the oil workers of Venezuela and Mexico, the pharmaceutical workers of Puerto Rico, the ranch hands of Costa Rica and Argentina, the West Indians who died building the Panama Canal, and the Panamanians who maintained it."

— Juan Gonzalez, Harvest of Empire: A History of Latinos in America (via neruda-bro)

(Source: anything-for-selenas, via rustylazer)

"In the 1890s, when Freud was in the dawn of his career, he was struck by how many of his female patients were revealing childhood [sexual] victimization to him. Freud concluded that child sexual abuse was one of the major causes of emotional disturbances in adult women and wrote a brilliant and humane paper called “The Aetiology of Hysteria.” However, rather than receiving acclaim from his colleagues for his ground-breaking insights, Freud met with scorn. He was ridiculed for believing that men of excellent reputation (most of his patients came from upstanding homes) could be perpetrators of incest.
Within a few years, Freud buckled under this heavy pressure and recanted his conclusions. In their place he proposed the “Oedipus complex,” which became the foundation of modern psychology… Freud used this construct to conclude that the episodes of abuse his clients had revealed to him had never taken place; they were simply fantasies of events the women had wished for… This construct started a hundred-year history in the mental health field of blaming victims for the abuse perpetrated on them and outright discrediting of women’s and children’s reports of mistreatment by men."

― Lundy Bancroft

(via proletarianprincess)

read this carve it into your brains permanently etch it into your skulls r e a d  t h i s

(via miss-mizi)

NEVER.
FORGET.

(via feministbatwoman)

This is why I hate Freud. This man literally traded in his integrity and the wellbeing of his (female) clients for fame and fortune. 

(via hoodbunnies)

Interesting

(via mojococoloco)

(Source: womensliberationfront, via heartmakesthelover)